By Pamela Singer, Jersey Boys Blog Special Correspondent
Just when you thought the whole Jersey Boys phenomenon couldn’t possibly get any more exciting, another spectacular production comes along that raises the already high bar even higher, and reconfirms the ongoing, universal appeal of this show. Recently returned from across the pond, I’m thrilled to report that London’s Jersey Boys are rocking the West End as never before. From the moment one enters the magnificent Prince Edward theatre, you can sense a palpable excitement. Resplendent in plush, Rococco decor (red velvet, gold inlay, stained glass ), the Prince Edward is warm and welcoming. It’s also huge; 3 levels, many side boxes, an upper level outside balcony, and an expansive stage. Walking into the theatre, you are immediately enticed by the familiar sounds of the OBC album playing, even before the performance. Is that style or what?!
The opening bars of “Ces Soiree-La” portend amazingly lush orchestrations, and a resonant sound system. Could the air be any heavier with anticipation? The song ends, and our Boys swagger to center stage; scanning the audience, pausing a second before starting; a perfect moment. If it’s possible to build on perfection, the show takes off from there. Our 3rd row center seats gave us a fabulous vantage point. Ladies and gentleman, I can tell you that this cast DELIVERS!! To a person, they are seamless, and fit together like a glove. The Jersey accents are flawless, enhanced by an occasional British undertone. We saw several understudies, but wouldn’t have known by the polished performances.
Jye Frasca (usually on as Joey) makes a dynamite Frankie. Wearing his emotions on his sleeve, Jye is heartwrenching, taking us with him through every single one. We literallly see Frakie grow up before our eyes. Jye’s voice was a bit weak in the first act, but projected beautifully in the second. His “Can’t Take My Eyes Off You” was magnificent. Glenn Carter is terrific as Tommy, juxtaposing a gorgeous physical exterior with not so pretty actions. His bedroom eyes and facial gestures tell stories that aren’t in the script, pulling the audience in closer. Loved the dance moves as well. Stephen Ashfield is fabulous as Bob Gaudio, a perfect combination of vulnerability and maturity. His voice is gorgeous, and soared on Cry For Me. As Nick Massi, the excellent Philip Bulcock expertly captures his inner turmoil and reticence. When Nick finally leaves the Four Seasons, we feel it along with the Boys. Read the rest of this entry »